{"id":3805,"date":"2018-10-31T23:48:48","date_gmt":"2018-11-01T06:48:48","guid":{"rendered":"https:\/\/movimientoafrolatino.org\/2018\/10\/31\/founder-and-executive-director-of-mas-quoted-in-seattle-times\/"},"modified":"2022-02-21T11:47:28","modified_gmt":"2022-02-21T19:47:28","slug":"founder-and-executive-director-of-mas-quoted-in-seattle-times","status":"publish","type":"post","link":"https:\/\/movimientoafrolatino.org\/en\/2018\/10\/31\/founder-and-executive-director-of-mas-quoted-in-seattle-times\/","title":{"rendered":"Founder and Executive Director of MAS quoted in Seattle Times"},"content":{"rendered":"<header class=\"article-header \">\n<h1 class=\"article-title p-name entry-title\">&#8216;The Routes of Slavery&#8217; traces a musical journey of resilience in the face of inhumanity<\/h1>\n<div class=\"article-dateline\"><time class=\"line published dt-published\" datetime=\"2018-10-31 06:00:09\">Originally published October 31, 2018 at 6:00 am<\/time> <time class=\"line update updated dt-updated\" datetime=\"2018-10-31 14:11:03\">Updated October 31, 2018 at 2:11 pm<\/time><\/div>\n<\/header>\n<div class=\"featured-media default\">\n<div id=\"gallery-11097693-11098896-11099627-600403692\" class=\"gallery-wrapper\">\n<div class=\"gallery align-none \">\n<div class=\"gallery-slider-wrapper\">\n<div class=\"gallery-slides\">\n<figure id=\"slide-11097693\" class=\"slide image-slide active\">\n<div class=\"lazy-loading\"><\/div>\n<p><img decoding=\"async\" class=\"\" src=\"https:\/\/static.seattletimes.com\/wp-content\/uploads\/2018\/10\/134655-780x439.jpg\" alt=\"Performers in \u201cThe Routes of Slavery,\u201d which comes to Seattle on Tuesday, Nov. 6. (Foundation Centre Internacional de Music Antiga)\"><\/figure>\n<figure id=\"slide-11098896\" class=\"slide image-slide\"><\/figure>\n<\/div>\n<\/div>\n<div class=\"gallery-meta-panel\">\n<div class=\"slide-caption article-figure-caption\">\n<div class=\"caption-text\"><span class=\"slide-caption\">Performers in \u201cThe Routes of Slavery,\u201d which comes to Seattle on Tuesday, Nov. 6. (International Foundation Center for Ancient Music)<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"ad-right-top\" class=\"ad right ad-right-wrapper\">\n<div id=\"ad-right-top-full\" class=\"ad-placeholder-full ad half-page\">\n<div id=\"div-gpt-ad-right\" class=\"dfp-ad dfp-right\">\n<div id=\"google_ads_iframe_\/81279359\/seattletimes.com\/entertainment\/classical-music_1__container__\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"article-body e-content\">\n<p class=\"article-deck entry-summary p-summary\">Joined by a global array of musicians, music researcher and virtuoso Jordi Savall traces the relevant story of the African diaspora and its musical legacy across centuries and continents in \u201cThe Routes of Slavery.\u201d<\/p>\n<div class=\"article-share vertical\">\n<h3>Share story By<\/h3>\n<\/div>\n<div class=\"article-byline\">\n<div class=\"byline-text single_author\">\n<div class=\"name vcard\"><a class=\"p-author h-card hcard url fn\" href=\"https:\/\/www.seattletimes.com\/author\/thomas-may\/\" rel=\"author\">Thomas May<\/a><\/div>\n<div class=\"title vcard\"><span class=\"p-author fn\">Special to The Seattle Times<\/span><\/div>\n<\/div>\n<\/div>\n<div id=\"article-content\" class=\"article-content entry-content\">\n<p><em>\u201cThe most monstrous of all the man-made institutions created throughout history.\u201d<\/em><\/p>\n<p>Musician and researcher Jordi Savall&#8217;s apt description of slavery underscores the sense of grave responsibility that inspired the performance project he and his colleagues are bringing to Seattle as part of a current US tour.<\/p>\n<p>Titled \u201c <a class=\"content-link external\" href=\"https:\/\/www.seattlesymphony.org\/concerttickets\/calendar\/2018-2019\/symphony\/routes-of-slavery\" target=\"_blank\" rel=\"noopener noreferrer\">The Routes of Slavery<\/a> ,\u201d this multicultural performance of music and dance, interspersed with dramatic readings, features artists from Africa, the Americas and Europe. Together, the artists trace the journey of enslaved peoples from 1444 to 1888, showing the musical traditions they brought with them and how these cross-pollinated with other indigenous cultures during the African Diaspora. It will be jointly presented by <a class=\"content-link external\" href=\"http:\/\/www.earlymusicseattle.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Early Music Seattle<\/a> and <a class=\"content-link external\" href=\"https:\/\/www.seattlesymphony.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Seattle Symphony<\/a> on Nov. 6 at Benaroya Hall.<\/p>\n<\/div>\n<\/div>\n<p><strong><a href=\"http:\/\/spu.edu\/about-spu\/events\/roads-to-reconciliation\">Read more<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;The Routes of Slavery&#8217; traces a musical journey of resilience in the face of inhumanity Originally published October 31, 2018 at 6:00 am Updated October 31, 2018 at 2:11 pm Performers in \u201cThe Routes of Slavery,\u201d which comes to Seattle on Tuesday, Nov. 6. (International Foundation Center for Ancient Music) Joined by a global array [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3163,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[109,95],"tags":[],"class_list":["post-3805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mas","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/posts\/3805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/comments?post=3805"}],"version-history":[{"count":1,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/posts\/3805\/revisions"}],"predecessor-version":[{"id":3809,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/posts\/3805\/revisions\/3809"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/media\/3163"}],"wp:attachment":[{"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/media?parent=3805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/categories?post=3805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/tags?post=3805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}