{"id":5228,"date":"2022-11-15T07:09:08","date_gmt":"2022-11-15T15:09:08","guid":{"rendered":"https:\/\/movimientoafrolatino.org\/?page_id=5228"},"modified":"2026-04-01T13:37:56","modified_gmt":"2026-04-01T20:37:56","slug":"mas-conversaciones-para-mas-orgullo","status":"publish","type":"page","link":"https:\/\/movimientoafrolatino.org\/en\/projects\/mas-conversaciones-para-mas-orgullo\/","title":{"rendered":"M\u00c1S conversaciones para m\u00e1s orgullo"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row css=&#8221;.vc_custom_1640742716114{background-color: #fcfcfc !important;}&#8221;][vc_column][vc_row_inner][vc_column_inner][vc_separator][vc_single_image image=&#8221;8202&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]\n<p style=\"text-align: center;\"><strong>We are now M\u00c1S podcast.<\/strong><\/p>\n<p>We have designed for you, a space where the voices of the Afro and indigenous diaspora resonate louder, echo in your identity. A place where what we started in &#8220;MAS Conversations&#8221; uses the power of orality, music and soundscapes, to extend our reflections against structural racism, celebrate our identity and above all, continue in this exercise of community building.<br \/>\nSo connect with these genuine dialogues that will be crossed by the power of our ancestralities. [\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Spotify&#8221; shape=&#8221;round&#8221; color=&#8221;success&#8221; align=&#8221;center&#8221; i_type=&#8221;entypo&#8221; i_icon_entypo=&#8221;entypo-icon entypo-icon-spotify&#8221; css=&#8221;&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fopen.spotify.com%2Fshow%2F3Heh6kLaNOjgoGZxAxEeW5%3Fsi%3D2935e9662bd44ff0&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Youtube&#8221; shape=&#8221;round&#8221; color=&#8221;danger&#8221; align=&#8221;center&#8221; i_type=&#8221;typicons&#8221; i_icon_typicons=&#8221;typcn typcn-social-youtube&#8221; css=&#8221;&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2F%40M%25C3%25A1sPodcastparaM%25C3%25A1sorgullo&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][\/vc_column_inner][\/vc_row_inner][vc_separator css=&#8221;&#8221;][vc_custom_heading text=&#8221;Season 02&#8243; font_container=&#8221;tag:h2|text_align:left|color:%23DD9933&#8243; google_fonts=&#8221;font_family:Montserrat%20Alternates%3Aregular%2C700|font_style:400%20regular%3A400%3Anormal&#8221; css=&#8221;&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9213&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">In this season, the \u2018comadres\u2019 and allies who sustain this initiative pay tribute and announce the beginning of the new series <\/span><b>\u201cFronteras en Tr\u00e1nsito\u201d<\/b> (Borders in Transit),<span style=\"font-weight: 400;\">a journey through stories of migration, resistance, and pride. Through the voices of  <\/span><b>Ana Mar\u00eda Belique<\/b><span style=\"font-weight: 400;\">, <\/span><b>Carla Garc\u00eda<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Johan Mijail<\/b>, <span style=\"font-weight: 400;\">we invite you to think of borders not only as geographics lines, but also as bodies, silences and shared fights. <\/span><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episide on <\/span><a href=\"https:\/\/open.spotify.com\/episode\/5nQYHnBHzgOM3swZ7sQtY8?si=444117698ac74861\"><span style=\"font-weight: 400;\">Spotify<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a href=\"https:\/\/youtu.be\/ylXF3Yd-Cso\"><span style=\"font-weight: 400;\">Youtube<\/span><\/a><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9221&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">From the Dominican Republic and Honduras, the voices of Ana Maria Belique, Johan Mijail, and Carla Garcia guide us through territories where borders not only divide maps but also bodies, memories, and rights. Through<br \/>  <\/span>\u2018chachareo\u2019 and \u2018la rueda\u2019, these conversations reveal how the limits imposed by racism, xenophobia, and exclusionary policies are confronted with spirituality, community, and living words. Among testimonies, prayers, and Garifuna songs, a collective question emerges: how do we inhabit borders while preserving our roots?<\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episide on <\/span><a href=\"https:\/\/open.spotify.com\/episode\/54HHH6rzPnHt6GRrBjcRqC?si=8d29aee6cdd6423d\"><span style=\"font-weight: 400;\">Spotify<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a href=\"https:\/\/youtu.be\/MuVZDBQ3YZY?si=av8-5PEhLgKoUyqE\"><span style=\"font-weight: 400;\">Youtube<\/span><\/a><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9268&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">In this episode we continue weaving the memory of a theme that pain us but also strengthen us, such as it is the theme of borders; borders that are not only on maps but also in the bodies, in the laws, looks and silences. This is an episode in which we enter a space of reflection that we call \u2018la olla\u2019, the pot, where the collective fire boils proposals and dreams and where each contribution adds flavor, strength and life.<br \/>We open the lid of that pot to acknowledge that in the face of so many borders and dispossessions, we have also found ways to cook up collective solutions. <\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episide on <\/span><a href=\"https:\/\/open.spotify.com\/episode\/5cXJdMOpLNam9W3QEPAjGa?si=12fbcf2cca03444e\"><span style=\"font-weight: 400;\">Spotify<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a href=\"https:\/\/youtu.be\/hHohU3KKcpQ\"><span style=\"font-weight: 400;\">Youtube<\/span><\/a><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9363&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">In this episode, the boundaries we carry within us blur and transform through the voices of those who inhabit the Maroon resistance and spirituality. We venture into discovering how prejudices, beliefs, and internal boundaries shape identities and limit our encounter with the other. With the Garifuna drum, Dominican Santer\u00eda, and the resolute voice of resistance, this episode invites us to dismantle these barriers and rediscover ourselves in spiritual unity as paths to justice and collective healing.<br \/>  <\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episode on <a href=\"https:\/\/open.spotify.com\/episode\/0jb9jw1iDqmHxQA2E9kz5w?si=4e1872a14fa54bc0\">spotify<\/a> and youtube<a href=\"https:\/\/youtu.be\/JV98zqj4lHo\">Subtitled ENG\/ESP<\/a><\/span><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9409&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">In this episode, love also migrates.<br \/>We close the second conversation of the season by asking ourselves what happens when borders cross bodies, affections, and desire, and how to inhabit them again from a place of shared humanity.<br \/>We talk about the Black diaspora, about Haiti and its radical revolution of love, about bodies in transit that become territory, archive, and living memory. About migration not as a choice, but as a consequence. About Blackness, spirituality, and community as paths to rehumanizing ourselves.<br \/>\nThis episode is an invitation to think of love as political action, to disobey the borders we were taught, and to return to the collective weave as a form of resistance.<br \/>To love the transit.<br \/>To love without a map.<br \/>To love without permission.    <\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episode Spotify and Youtube <a href=\"https:\/\/youtu.be\/EBNkL2VsHUc\">Subtitled ENG\/ESP<\/a><\/span><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9449&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Our special guests, Carla Garc\u00eda, Ana Mar\u00eda Belique and Johan Mihail, join us again with <\/span>\u201c<span style=\"font-weight: 400;\">Between Northern Borders and Bodies in Transit&#8221;,<\/span> <span style=\"font-weight: 400;\">a conversation that reveals the traps of the Global North and its promises that encourage migration, only to then classify who belongs and who does not. The three of them offer solutions in our reparations pot, which are rooted in our ancestral traditions and community practices.  <\/span><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the chapter on <a href=\"https:\/\/open.spotify.com\/episode\/59qlkAuIwtjE6xfSAL9rXE?si=L4Q07VrgQ_OnYfhw5t800Q\">Spotify<\/a> and <a href=\"https:\/\/youtu.be\/rbpDqzaiU84?si=jn9GB9JVDHEvqLYW\">Youtube Subtitled ENG\/ESP<\/a><\/span><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9515&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">In this episode, we lift the lid on the pot of reparations to acknowledge that, faced with so many borders and dispossession, we have also created ways to cook up collective solutions. It is an invitation to reclaim our right to a dignified life and to cultivate a loving and compassionate perspective: to repair, not to remain silent; to restore dignity, security, and protection. The proposal is to strengthen spaces of self-preservation and community resistance, where our lives are not defined or persecuted by racism, but affirmed in all their humanity.  <\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the chapter on <a href=\"https:\/\/open.spotify.com\/episode\/0odcajNHF7tXdBhd5tRRlB?si=d15330df42144b46\">spotify<\/a> and youtube <a href=\"https:\/\/youtu.be\/tLQ6V2of3h0\">Subtitled ENG\/ESP<\/a><\/span><\/h5>\n<p>&nbsp;<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9586&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">This episode brings together the \u2018comadres\u2019 of M\u00c1S Conversations for M\u00c1S Pride in an intimate \u2018chachareo\u2019 that offers, from within, from their own experiences and reflections, a vision of the impact of the Global North migration policies and internal displacements on our bodies, territories, and ways of being. Ana Teresa Puente guides the conversation where we hear Milvia Pacheco Salvatierra, Meyby Ugueto-Ponce, Delia Pinto-Santini, and Ana Gabriela Cano share their migration and displacements experiences, which, even though they leave wounds, also leave us with the strength and flourishing of resistance and collective encounter that allow us to continue with dignity. <\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the chapter on<a href=\"https:\/\/open.spotify.com\/episode\/0xmaqGgPB5DjOsgaL19kn1?si=Laok-fycQr6Gqq05pNwV9g\"> spotify<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=raxi9niLbEI&amp;feature=youtu.be\">youtube Subtitled ENG\/ESP<\/a> <\/span><\/h5>\n<p>&nbsp;<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9593&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">This 8th and final episode of the second season of M\u00c1S Podcast for M\u00c1S Pride continues the \u201cchachareo\u201d with the \u201ccomadres\u201d of M\u00c1S Conversations for M\u00c1S Pride. Facilitated by Ana Teresa Puente, and featuring the voices of Ana Gabriela Cano, Rayza De La Hoz, Evelyn Laurent Perrault, Milvia Pacheco Salvatierra, and Meyby Ugueto-Ponce, we hear about the role of our ancestral and spiritual knowledge as a support on our journey. Their reflections remind us that the spirituality of our Abya Yala is profound and diverse; it is a fractal that unfolds in migration and crisis; it is food, it is necklace, it is the street, it is protection, it is music, dance, and care\u2014all cooked up to sustain and heal us.  <\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the chapter on <a href=\"https:\/\/open.spotify.com\/episode\/0odcajNHF7tXdBhd5tRRlB?si=d15330df42144b46\">spotify<\/a> and youtube <a href=\"https:\/\/youtu.be\/tLQ6V2of3h0\">Subtitulado ENG\/ESP <\/a><br \/>\nnext Friday April 03.<\/span><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">The structure of the scripts of each of the episodes of this season of the podcast, are the result of a collaborative work so we thank: Milvia Pacheco Salvatierra, Rayza De La Hoz Perez, Meyby Ugueto Ponce, Hayde\u00e9 Lavariega, Evelyne Laurent Perrault, Minox Minoty, Gemaly and Gabriela.<\/h5>\n<h5 style=\"text-align: center;\">Music: Eslab\u00f3n and Oralidades que sanan<br \/>\nCuratorship: <a href=\"https:\/\/www.instagram.com\/delavozlab\/\">@DeLaVozLab<\/a><\/h5>\n<h5 style=\"text-align: center;\">This season of the podcast is partially funded by <a href=\"https:\/\/www.4culture.org\/grants\/heritage-projects\/\">4 Culture<\/a>.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5152\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/10\/4Culture-Logo-2300-c.png\" alt=\"\" width=\"79\" height=\"79\" srcset=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/10\/4Culture-Logo-2300-c.png 271w, https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/10\/4Culture-Logo-2300-c-150x150.png 150w, https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/10\/4Culture-Logo-2300-c-45x45.png 45w\" sizes=\"auto, (max-width: 79px) 100vw, 79px\" \/><\/h5>\n[\/vc_column_text][vc_separator css=&#8221;&#8221;][vc_empty_space][vc_custom_heading text=&#8221;Season 01&#8243; font_container=&#8221;tag:h2|text_align:left|color:%238224E3&#8243; google_fonts=&#8221;font_family:Montserrat%20Alternates%3Aregular%2C700|font_style:400%20regular%3A400%3Anormal&#8221; css=&#8221;&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8210&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Sending a warm welcome to everyone connecting to the first episode of M\u00c1S Podcast para M\u00c1S orgullo! In this first episode we share what this space is all about, who is behind it all and why we believe our voices should be amplified. We invite you to get to know us as a team and learn about the roles we play to make possible this podcast that fills us with M\u00c1S pride.  <\/span><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episode on <\/span><a href=\"https:\/\/open.spotify.com\/episode\/6Dvtl4BHQu8R4P0f5uV5WL?si=3660a1aaf1fb4786\"><span style=\"font-weight: 400;\">Spotify<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a href=\"https:\/\/youtu.be\/XSaJ7xEwehQ?si=ezw2WoGIuKLAxIbR\"><span style=\"font-weight: 400;\">Youtube<\/span><\/a><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8269&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">Poetry and reflective writing are the protagonists of this episode where we bring the different creative reflections of activists, managers, artists, who are part of M\u00c1S, as responses to achieve the rescue and safeguarding of Afro Diasporic cultural manifestations, as a result of the many forms of cultural appropriations that have been codified and naturalized in spaces such as artistic scenarios.<\/h5>\n<h5 style=\"text-align: center;\">Listen to the episode on <a href=\"https:\/\/open.spotify.com\/episode\/5BpYjEbbfGVoaX5ReiysWv?si=1bd38f6d0c014340\">Spotify<\/a> \/ <a href=\"https:\/\/youtu.be\/6NUSI_aMhFk?si=kLA8IfaagnVX_BhR\">Youtube<\/a>.<\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8277&#8243; img_size=&#8221;500&#215;500&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">this chapter we want to discuss how we are affected by the arbitrary way in which society assigns value to the art-arts relationship. We want to highlight the racialization of the arts as a mechanism of exclusion and its logic of operation in relation to cultural diversity and how it also affects our identities and the value we give ourselves as people. <\/h5>\n<h5 style=\"text-align: center;\"><em>Guests at the roundtable: <a href=\"https:\/\/www.instagram.com\/minox_minoty\">Minox Minoty<\/a> and <a href=\"https:\/\/www.instagram.com\/hever.hever.988\">Hever Bustos<\/a><\/em><\/h5>\n<h5 style=\"text-align: center;\">Listen to the episode on <a href=\"https:\/\/open.spotify.com\/episode\/5BpYjEbbfGVoaX5ReiysWv?si=1bd38f6d0c014340\">Spotify<\/a> \/ <a href=\"https:\/\/youtu.be\/w7aZn_pkQhw\">Youtube<\/a>.<\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8483&#8243; img_size=&#8221;500&#215;500&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\"> We explore the fine line between inspiration and cultural appropriation in the world of Afro aesthetics. Where does admiration for a culture end and exploitation of its heritage begin? Appreciation or appropriation? Alignment between appropriation and extractivism? How can we enjoy and celebrate cultural diversity without falling into appropriation?<\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episode on <\/span><a href=\"https:\/\/open.spotify.com\/episode\/4zWboyelIpVVqCeKI45NHN?si=55ce5f02c0004457\"><span style=\"font-weight: 400;\">Spotify<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a href=\"https:\/\/youtu.be\/aBXmxAol8SM\"><span style=\"font-weight: 400;\">Youtube<\/span><\/a><\/h5>\n<h5 style=\"text-align: center;\"><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8560&#8243; img_size=&#8221;500&#215;500&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">In this episode we will talk about how art and spirituality are intertwined elements within Afro manifestations, and the impact that migration has on these artistic processes. Understanding that the condition of migration and displacement in itself in the contemporary world have transformed the conditions of production, reception and ways of showing art in our communities. <\/h5>\n<h5 style=\"text-align: center;\"><em>Guests at the roundtable: <a href=\"https:\/\/www.instagram.com\/nelbis?igsh=MWJ4djF2MTIxNWpp\">Nelbeth Rinc\u00f3n<\/a> and <a href=\"https:\/\/www.instagram.com\/mare.advertencia.lirika?igsh=bWszY3o3eHE2MjA3\">Mare Advertencia Lirika<\/a><\/em><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episode on <\/span><a href=\"https:\/\/open.spotify.com\/episode\/70d3YorKE3lcwsH95vMDWO?si=neA8-MrpSDWIy3jhHT9Tzg\"><span style=\"font-weight: 400;\">Spotify<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a href=\"https:\/\/youtu.be\/v6ioh0vHA6g\"><span style=\"font-weight: 400;\">Youtube<\/span><\/a><\/h5>\n<h5 style=\"text-align: center;\"><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8571&#8243; img_size=&#8221;500&#215;500&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">In this chapter we will talk about the different types of violence suffered by racialized bodies at the moment of academic professionalization. We will critically discuss the processes of folklorization, appropriation and reification to which ethno-racial knowledge is subjected and is exercised by students, professors and the pensums themselves. <\/h5>\n<h5 style=\"text-align: center;\"><em>Guest at the roundtable <a href=\"https:\/\/www.instagram.com\/afrophoto_sista_karla?igsh=NHB5YnFuMmVncnVn\">Karla Vitali<\/a><\/em><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episode on <\/span><a href=\"https:\/\/open.spotify.com\/episode\/1Mo9rUqiYrHDDsJsU4EW8G?si=DnHzwB3ISxOb124Um3PJ3A\"><span style=\"font-weight: 400;\">Spotify<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a href=\"https:\/\/youtu.be\/PSsH1vMzWFU\"><span style=\"font-weight: 400;\">Youtube<\/span><\/a><\/h5>\n<h5 style=\"text-align: center;\"><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8208&#8243; img_size=&#8221;500&#215;500&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">Reflections from the first season closing episode of our first season<br \/>\nIn this chapter, all the people who have built this first series of MAS Podcast Para MAS Orgullo come together to reflect on what the construction of this season has been like for all of us, as well as bringing offerings of what each episode brought to us.<\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episode<\/span> <a href=\"https:\/\/open.spotify.com\/episode\/4zWboyelIpVVqCeKI45NHN?si=55ce5f02c0004457\"><span style=\"font-weight: 400;\">Spotify <\/span><\/a><span style=\"font-weight: 400;\">\/ <\/span><a href=\"https:\/\/youtu.be\/aBXmxAol8SM\"><span style=\"font-weight: 400;\">Youtube<\/span><\/a> <\/h5>\n<h5 style=\"text-align: center;\"><\/h5>\n<h5 style=\"text-align: center;\"><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;8778&#8243; img_size=&#8221;500&#215;500&#8243; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">In this episode of &#8220;M\u00c1S PODCAST FOR MORE PRIDE,&#8221; we commemorate International Transgender Day of Visibility by reflecting on what it means to be visible in a world that constantly seeks to render us invisible. Drawing on the experiences of trans and racialized people, we discuss how academia and the arts have been spaces for the extraction of knowledge without recognition. <\/h5>\n<h5 style=\"text-align: center;\">We talk about how writing, exaggeration, and scandal are not simple expressions, but political forms of resistance that challenge the system. We ask ourselves: Why do we make people uncomfortable? How do we take ownership of our spaces?  <\/h5>\n<h5 style=\"text-align: center;\"><span style=\"font-weight: 400;\">Listen to the episode<\/span> <a href=\"https:\/\/open.spotify.com\/episode\/4zWboyelIpVVqCeKI45NHN?si=55ce5f02c0004457\"><span style=\"font-weight: 400;\">Spotify <\/span><\/a><span style=\"font-weight: 400;\">\/ <\/span><a href=\"https:\/\/youtu.be\/aBXmxAol8SM\"><span style=\"font-weight: 400;\">Youtube<\/span><\/a> <\/h5>\n<h5 style=\"text-align: center;\"><\/h5>\n<h5 style=\"text-align: center;\"><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;]\n<h5 style=\"text-align: center;\">The structure of the scripts of each of the episodes of M\u00c1S Podcast para M\u00c1S Orgullo first season, have being the result of a M\u00c1S Conversaciones para M\u00c1S Orgullo team collaborative work, for which we thank to: Milvia Pacheco Salvatierra, Rayza De La Hoz Perez, Meyby Ugueto Ponce, Hayde\u00e9 Lavariega, Evelyne Laurent Perrault, Minox Minoty, Gemaly Padua, Gabriela Cano, Teresita Bazan, Delia Pinto y Anyel Duran.<\/h5>\n<h5 style=\"text-align: center;\">Music: Eslab\u00f3n and Oralidades que sanan<br \/>\nCuratorship: <a href=\"https:\/\/www.instagram.com\/delavozlab\/\">@DeLaVozLab<\/a><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_section][vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; fullwidth=&#8221;yes&#8221; section_id=&#8221;conversaciones&#8221; top_margin=&#8221;-5&#8243;][vc_column][vc_single_image image=&#8221;2879&#8243; img_size=&#8221;full&#8221;][vc_column_text]<span style=\"font-weight: 400;\"><strong>\u201cM\u00c1S Conversaciones para M\u00c1S Orgullo\u201d.<\/strong> It is a virtual space that was born within the framework of the covid-19 pandemic, in response to national racial tensions in May 2020. The aim was to raise awareness about anti-blackness feelings and provide a space of support and healing for members of our community. Our firm intention is to focus on the voices of Afrodescendant and Afro-Indigenous people, and highlight community dialogue and art as a way to reinvent and create space to connect and strengthen the identities that oppressive systems try to erase. <\/span><\/p>\n<p>Meet the organizing committee <a href=\"https:\/\/movimientoafrolatino.org\/programas\/mas-conversaciones\/#Team-orgullo\">here<\/a>[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_row][vc_column][vc_text_separator title=&#8221;Borders in transit: race, gender and multidiverse migrations. Series 8- 2025&#8243; color=&#8221;violet&#8221; style=&#8221;dashed&#8221; css=&#8221;&#8221;][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;]<span style=\"font-weight: 400;\">In this eighth series we will discuss the complex issue of migration, with an intersectional, afro-centered, and trans-centered gaze. We will weave and make visible how international and migratory policies created by colonial systems, and contemporarily, by the global north, have the clear objective of blocking access and manipulating the subjectivities at convenience, of Afro-diasporic peoples and dissident communities of the global south who are in voluntary or forced mobility, through an anti-black racism that comes from a colonial heritage, and that at the same time perpetuates systems of oppression against black and dissident communities. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">We will complement our view of migration by recognizing the diversity of bodies, genders, territories, nations and positions in order to account for the structural violence that affects Afro-diasporic peoples who are in mobility. To this end, we will focus on concepts such as migration, mobility, nationalism, statelessness, racism, anti-black racism, anti-Haitian racism, deterritorialization, among others. From the specific experiences of Central America, Haiti and the southern border of the Spanish territory, we will be able to transversalize these visions to account for how capital and violence work through the perverse device of migration.  <\/span><\/p>\n<p style=\"text-align: center;\"><strong>Invited:<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Ana Mar\u00eda Belique, Carla Garc\u00eda, Iki Yos Pi\u00f1a Narvaez, Johan Mijail<\/strong><\/p>\n[\/vc_column_text][vc_empty_space][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]\n<h4><strong>Dialogue 1. Borders, national state and coloniality.<br \/>\n<\/strong><\/h4>\n<h6>Saturday, May 10, 2025 \/ Time: 2 pm Seattle, 3 pm Mexico, 4 pm Colombia &amp; Ecuador, 5 pm Venezuela, 11 pm Spain<\/h6>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">How or when has the Afro-diasporic and gender-dissident community made you feel at home? How and when have you made others feel at home? <\/span><\/p>\n<hr>\n<h4><strong>Dialogue 2. Internal boundaries infused: How and when did we learn to hate each other in mobility?<\/strong><\/h4>\n<h6>Saturday, May 24, 2025 \/ Time: 2 pm Seattle, 3 pm Mexico, 4 pm Colombia &amp; Ecuador, 5 pm Venezuela, 11 pm Spain<\/h6>\n<p style=\"padding-left: 40px;\">How do we build reception mechanisms in destination countries to provide security and affection to those who are arriving?<\/p>\n<hr>\n<h4><strong><br \/>\nDialogue 3. North-South borders and tensions: threading experiences of black and dissident bodies in transit.  <\/strong><\/h4>\n<h6>Saturday, June 14, 2025 \/ Time: 2 pm Seattle, 3 pm Mexico, 4 pm Colombia &amp; Ecuador, 5 pm Venezuela, 11 pm Spain<\/h6>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">How do we build legal routes or bridges that can make the legal process towards citizenship or membership less traumatic?<\/span><\/p>\n<hr>\n<hr>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/BxgH1l11vos&#8221; css=&#8221;&#8221;][vc_video link=&#8221;https:\/\/youtu.be\/60vRZbAnEA8&#8243; css=&#8221;&#8221;][vc_video link=&#8221;https:\/\/youtu.be\/BVv6qCdkyt8&#8243; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;]\n<p style=\"text-align: center;\"><strong>Invited:<\/strong><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]<b><i>Ana Belique,<\/i><\/b><span style=\"font-weight: 400;\">  is a sociologist, activist and co-founder of Reconocido, a movement that mobilizes and empowers the Dominican population of Haitian descent to defend equality and citizenship rights. Her activism focuses on the restitution of nationality rights to people affected by Ruling 168-13 of the Dominican Constitutional Court in 2013 and on promoting the social and political empowerment of Dominican communities of Haitian descent, particularly those living in Bateyes. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">She has coordinated the publication of two books, &#8220;Nos Cambi\u00f3 la Vida&#8221; and &#8220;Somos Quien Somos&#8221;, which document the experiences and struggles of the Dominican population of Haitian descent. She has participated in numerous international academic forums addressing the systemic exclusion and human rights challenges faced by this Haitian and Dominican population of Haitian descent in the Dominican Republic.   <\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<b><i>Carla Garcia <\/i><\/b><span style=\"font-weight: 400;\">Garifuna woman from Honduras, living in the United States, with a trajectory of struggle for the rights of the peoples that began in 1977 in an official way, and currently Co-Coordinator of the Co-Redes Negras por la Paz y la Justicia, which in turn is a member organization of the People&#8217;s Movement for Peace and Justice. <\/span><span style=\"font-weight: 400;\">You can find me @carlaZGarcia1 (social network X)<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]<b><em>Johan Mijail<\/em>, <\/b>writer and performer, leader of <a href=\"https:\/\/www.negrxs.com\/n11\/2020\/7\/10\/catinga-ediciones-poticas-para-imaginaciones-negras-y-sexo-gnero-disidentes\">Catinga Ediciones<\/a>.  Studied Journalism. She has shown her performative work in the United States, Uruguay, Chile, Costa Rica, the Dominican Republic, Germany, and Colombia, with a written and visual work that invites a transfeminist and decolonial imaginary. He has been part of the anthologies &#8220;Vivir All\u00e1&#8221; editorial Ventana Abierta (Chile), &#8220;Inflexi\u00f3n marica. Escrituras del descalabro gay en Am\u00e9rica latina (Spain), &#8220;Afectos y disidencias sexuales jota-cola-mariconas en la Abya Yala&#8221; (Mexico) and &#8220;Sin pasar por Go. Narrativa dominicana contempor\u00e1nea&#8221;, compiled by Rita Indiana (Mexico). He recently participated in the group shows &#8220;Todos los tonos de la rabia&#8221; at the Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n (Spain) and &#8220;Colirio&#8221; at the Centro Cultural de Espa\u00f1a in Santo Domingo. In 2018 she publishes by the Chilean publishing house Los Libros de la Mujer Rota &#8220;Manifiesto Antirracista. Escrituras para una biograf\u00eda inmigrante&#8221;, in 2020 the fanzine &#8220;Santo Domingo is Burning&#8221; by Catinga Ediciones, and in 2021 her first novel &#8220;CHAPEO&#8221;, by the Mexican publishing house Elefanta Editorial.  [\/vc_column_text][vc_column_text css=&#8221;&#8221;]<b><i>Iki Yos, <\/i><\/b>a<span style=\"font-weight: 400;\">rtist, researcher, writer, Maroon-Caribbean performer in the diaspora; her work explores transcestual gender dissidences, black-Caribbean Maroon memories, archives, mysteries and anti-colonial practices. She promotes transvestite radical imagination and critical fabulations as tools of collective self-preservation and futurity. Trained in sociology, with a master&#8217;s degree in sociology of science, she has participated in exhibitions such as y    <\/span><i><span style=\"font-weight: 400;\">The earthquake is intact<\/span><\/i><span style=\"font-weight: 400;\">  (Fundaci\u00f3 Joan Mir\u00f3, 2023). Her work with Colectivo Ayllu is in the collection of the Reina Sof\u00eda Museum and has been present at events such as the Biennial of Sydney (2020) and the Brazil Triennial (2021). Author of    <\/span><i><span style=\"font-weight: 400;\">There is no sex without racialization<\/span><\/i><span style=\"font-weight: 400;\">  and other collective texts. She is a member of Periferia Cimarronas, the first Afro theater in Barcelona and a member of the laboratory   <\/span><i><span style=\"font-weight: 400;\">In the Wake<\/span><\/i><span style=\"font-weight: 400;\">as well as co-founding the collective Don Hit a la Negrx.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ig: @Parchitapower<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;We know what we need, we are Afrolegacy Youth. Serie 7- 2023&#8243; color=&#8221;sandy_brown&#8221; style=&#8221;dashed&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4>Dialogue 3. Cimarroneando the Streets<\/h4>\n<h6>Saturday June 10, 2023<\/h6>\n<h6>Time: 3:00pm PST<\/h6>\n<p>Penelists:<\/p>\n<p><strong>Lali Fernando Riasgo<\/strong><br \/>\nYouth leader and alternative communicator, my main objective with the creation of content for social networks like Instagram and tik tok, is to make visible the customs and cultural traditions of territories that are in the periphery and that for many are unknown.<br \/>\nOne of my purposes is to expose social issues and serve as a speaker for organizations and social leaders who from different areas are working for the improvement and welfare of communities throughout the country.<\/p>\n<p><strong>Alexis Mina<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">I was born on June 11, 1999 in the city of Ibarra, I am a weird boy, very funny, someone enjoys laughing most of the time. Today I am pursuing the dream of being an artist, I use the dry technique a lot using sepia, pastels and charcoal and I love representing my Afro-Ecuadorian culture, but portraying women. I feel good doing it, it fulfills me and I want blackness to be recognized beyond the ordinary. Sometimes, well over time I liked to mix my art with comedy and no, not as a joke, but to make it known that this is my personality, that person is me.<\/span><\/p>\n<p>Download the slide <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2023\/08\/serie-7-diag-03.pdf\">here<\/a>[\/vc_column_text][vc_empty_space][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;6175&#8243; img_size=&#8221;1000&#215;1000&#8243; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><a href=\"https:\/\/movimientoafrolatino.org\/2023\/04\/06\/sabemos-lo-que-queremos-somos-jovenes-afrolegados-cimarroneando-lo-politico\/\"><strong>Dialogue 2. <\/strong>Cimarroneando the political<\/a><\/h4>\n<h6>Saturday April 15, 2023<\/h6>\n<h6>Time: 3:00pm PST<\/h6>\n<p>Panelists:<\/p>\n<p><span style=\"font-weight: 400;\"><strong>Karen Villa Pav\u00f3n,<\/strong> Afro-Ecuadorian from the urban palenque Caminos a la Libertad, Afro-feminist activist, applied anthropologist, and youth coordinator at the National Coordinator of Black Women (CONAMUNE)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Beatriz Salas Benjumea,<\/strong> a young Afro-Guajira, a law student at the University of La Guajira, belonging to various organizations such as Mata e&#8217; pelo, and the District Youth Platform on Afro-youth affairs.<\/span><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2023\/05\/serie-7-diag-02.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;6044&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;]<div class=\"shortcode-wrapper shortcode-video fitVids clearfix hb-box-frame\"><span><iframe loading=\"lazy\" title=\"M\u00c1S Conversaciones para M\u00c1S orgullo. Serie 7 Ep2. Cimarroneando lo politico\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/DJa2UmMf8mQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><a href=\"https:\/\/movimientoafrolatino.org\/2023\/03\/06\/serie-7-sabemos-lo-que-necesitamos-somos-jovenes-afrolegados\/\"><strong>dialogue 1. <\/strong>Marooning education<\/a><\/h4>\n<h6>Saturday March 18, 2023<\/h6>\n<p>Panelists:<\/p>\n<p><b>Cira Elena Barrag\u00e1n Pushaina <\/b><span style=\"font-weight: 400;\">Born in Riohacha- La Guajira (Colombia) 22 years-old Afro-wayuu. Law and psychology student. Fond of poetry and short stories. Member of the afro women&#8217;s collective, Mata \u2018e Pelo.<\/span><\/p>\n<p><b>Gabriela Alexandra Guerrero Viscarra <\/b><span style=\"font-weight: 400;\">Born in Imbabura-Ibarra (Ecuador), 29 years-old afro-Ecuadorian.<\/span><span style=\"font-weight: 400;\">Graduated in Pedagogy of the Arts, and teacher of Afrochote\u00f1a Dance, she works with boys-girls-youth and women from the Ancestral Territory of Valle del Chota, Esmeraldas, and Guayaquil. Member of the National Coordinator of Young Black Women, member of the Carchi Provincial Board of Ethnoeducation.<\/span><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2023\/05\/Serie-7-diag-01.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;5934&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;]<div class=\"shortcode-wrapper shortcode-video fitVids clearfix hb-box-frame\" style=\"width:560px;\"><span><iframe loading=\"lazy\" title=\"M\u00c1S Conversaciones para M\u00c1S orgullo. Serie 7 Ep1 Somos J\u00f3venes Afrolegados\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/Cz0PBHMBrpA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;How is the Diaspora organizing? Serie 6- 2022&#8243; color=&#8221;sandy_brown&#8221; style=&#8221;dashed&#8221;][vc_row_inner css=&#8221;.vc_custom_1668767196598{background-color: rgba(244,244,244,0.39) !important;*background-color: rgb(244,244,244) !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><a href=\"https:\/\/movimientoafrolatino.org\/en\/2022\/11\/22\/how-is-the-diaspora-organizing-conversation-2-2\/\"><strong>Dialogue 2. <\/strong>El fog\u00f3n: afro women and traditional cuisine<\/a><\/h4>\n<h6>Saturday, December 3, 2022.<\/h6>\n<h6><strong>Time: 15hrs &#8211; 17hrs PST<\/strong><\/h6>\n<p>Panelists: <strong>Caridad Brito Ballesteros<\/strong> and <strong>Manu Nascimiento<\/strong>.<\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/12\/MAS-Conversaciones-para-MAS-Orgullo_6ta-serie-%C2%BFComo-se-organiza-la-Diaspora_-Conversacion-2_2-El-Fogon_-Mujeres-Afro-y-Culinaria-Tradicional.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;5408&#8243; img_size=&#8221;1920&#215;1080&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/goc0mu63L5E&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>dialogue 1. <\/strong><a href=\"https:\/\/movimientoafrolatino.org\/2022\/10\/16\/como-se-organiza-la-diaspora-soberania-alimentaria-saberes-y-sabores-afro\/\">Food Sovereignty, Afro Wisdom and Flavors<\/a><\/h4>\n<h6>Saturday, October 22, 2022<\/h6>\n<p>Panelists:<\/p>\n<p><b>Mireya Pe\u00f1a<\/b><span style=\"font-weight: 400;\">, Social worker, cooperativist, writer, singer, cook, mother, and grandmother. is part, among other organizations, of the Unidos San Agust\u00edn Convive cooperative and the<\/span><span style=\"font-weight: 400;\">artist organization<\/span><span style=\"font-weight: 400;\"> the Cumbe the of Esperanza, in Caracas, Venezuela. Mireya has worked in organizing planned food distribution spaces connecting rural and urban communities.<\/span><\/p>\n<p><b>Julio C\u00e9sar Rodr\u00edguez Castell\u00f3n<\/b><span style=\"font-weight: 400;\"> By profession Social re-creator, Human Rights activist, President of the Colombia Joven Corporation and coordinator of the youth fabric, representative of the social organizations of Villa Rica Cauca before the municipal mining board, conscientious objector, and North Cauca Regional Promoter of the Grupo Corporation Seeds and Fian Colombia. With 25 years of experience in social and community work with youth and children in northern Cauca.<\/span><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/MAS-Conversaciones-para-MAS-Orgullo-_-Reflexiones-para-la-descolonizacion-marik-afro-diasporica.-Visiones-desde-las-disidencias-1.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;5166&#8243; img_size=&#8221;1920&#215;1080&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/x8rpaoInKCE&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Reflections for Afro-diasporic marik decolonization. Visions from the dissidences. Serie 5- 2022&#8243; color=&#8221;sandy_brown&#8221; style=&#8221;dashed&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 3. <\/strong><a href=\"https:\/\/movimientoafrolatino.org\/2022\/05\/10\/reflexiones-para-la-descolonizacion-marik-afrodiasporica-visiones-desde-las-disidencias-3-3\/#prettyPhoto\">Let\u2019s talk about being sex-gender dissidents within the Afro matrix spiritual<\/a> <a href=\"https:\/\/movimientoafrolatino.org\/2022\/05\/10\/reflexiones-para-la-descolonizacion-marik-afrodiasporica-visiones-desde-las-disidencias-3-3\/#prettyPhoto\">practices<\/a><\/h4>\n<h6>Saturday, Marzo 12, 2022<\/h6>\n<p>Panelists:<\/p>\n<p><strong>Rummie Quintero Verd\u00fa:<\/strong><span style=\"font-weight: 400;\"> General Director of DVD, (Divas of Venezuela Civil Association) referent for Venezuela of the INTERNATIONAL NETWORK FEMITRANSLAC and of the INTERNATIONAL TRANS ASSEMBLY.<\/span><\/p>\n<p><strong>Anyel Adanna Duran: <\/strong><span style=\"font-weight: 400;\">Transgender woman from Magdalena Medio Colombia. Defender of the human rights of sexual and gender dissidence. President of the Magdalena Diversa Foundation. Veterinary doctor and social worker by profession. With gender studies. Researcher at the Peacebuilding Observatory of the Universidad de la Paz.<\/span><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/MAS-Conversaciones-para-MAS-Orgullo-_-Reflexiones-para-la-descolonizacion-marik-afro-diasporica.-Visiones-desde-las-disidencias-1.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;4505&#8243; img_size=&#8221;1920&#215;1080&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/dOFKU6t4CvM&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=&#8221;.vc_custom_1667362627440{background-color: rgba(244,244,244,0.39) !important;*background-color: rgb(244,244,244) !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 2. <\/strong><a href=\"https:\/\/movimientoafrolatino.org\/2022\/04\/03\/reflexiones-para-la-descolonizacion-marik-afrodiasporica-visiones-desde-las-disidencias-conversaciones-2-3\/\">Resisting the<\/a> <a href=\"https:\/\/movimientoafrolatino.org\/2022\/04\/03\/reflexiones-para-la-descolonizacion-marik-afrodiasporica-visiones-desde-las-disidencias-conversaciones-2-3\/\">war:<\/a><a href=\"https:\/\/movimientoafrolatino.org\/2022\/04\/03\/reflexiones-para-la-descolonizacion-marik-afrodiasporica-visiones-desde-las-disidencias-conversaciones-2-3\/\"> Black mariks in the Colombian armed conflict context<\/a><\/h4>\n<h6>Saturday, April 09, 2022<\/h6>\n<h4><span style=\"font-weight: 400;\">Panelists:<\/span><\/h4>\n<p><b>Anyel Adanna Duran<\/b><span style=\"font-weight: 400;\">. Transgender woman from Magdalena Medio Colombia. Defender of the human rights of sexual and gender dissidence. President of the Magdalena Diversa Foundation. Veterinary doctor and social worker by profession. With gender studies. Researcher at the Peacebuilding Observatory of the Universidad de la Paz.<\/span><\/p>\n<p><b>Macu<\/b><span style=\"font-weight: 400;\"> is a history and geography student at Universidad del Valle, a graduate of the second cohort of the certificate in Afro-Latin American studies at Harvard University. Is a community researcher, columnist for the magazine Afrofeminas. Is also an activist for the social and sexual rights of black LGBTI communities. <\/span><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/MAS-Conversaciones-para-MAS-Orgullo-_-Reflexiones-para-la-descolonizacion-marik-afro-diasporica.-Visiones-desde-las-disidencia.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;4307&#8243; img_size=&#8221;1920&#215;1080&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/05I9d2Ebk8I&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 1. <\/strong><a href=\"https:\/\/movimientoafrolatino.org\/2022\/03\/07\/reflexiones-para-la-descolonizacion-marik-afrodiasporica-visiones-desde-las-disidencias-conversaciones-1-3\/#prettyPhoto\">W<\/a><a href=\"https:\/\/movimientoafrolatino.org\/2022\/03\/07\/reflexiones-para-la-descolonizacion-marik-afrodiasporica-visiones-desde-las-disidencias-conversaciones-1-3\/#prettyPhoto\">riting<\/a><a href=\"https:\/\/movimientoafrolatino.org\/2022\/03\/07\/reflexiones-para-la-descolonizacion-marik-afrodiasporica-visiones-desde-las-disidencias-conversaciones-1-3\/#prettyPhoto\">a TRANS(altar) \/ Spirituality, blackness and dissidence<\/a><\/h4>\n<h6><span style=\"font-size: medium;\">Saturday, Marzo 12, 2022<\/span><\/h6>\n<p><span style=\"font-weight: 400;\">Panelists<\/span><span style=\"font-weight: 400;\">:<\/span><\/p>\n<p><strong><a href=\"https:\/\/www.facebook.com\/profile.php?id=100007751342744\"><span id=\"E52\" class=\"qowt-font2-Roboto\">Johan Mijail:<\/span><\/a><\/strong><span class=\"qowt-font2-Roboto\"> (@johanmijail_1)<\/span><span id=\"E53\" class=\"qowt-font2-Roboto\"> <\/span><span id=\"E53\" class=\"qowt-font2-Roboto\">Writer and performance artist of Afro-Dominican origin. has published the books \u201cBeggars of the Caribbean\u201d, \u201cInflamed with rhetoric. Promiscuous writings for a techno-decoloniality\u201d, \u201cAnti-racist manifesto. Writings for an immigrant biography\u201d, \u201cSanto Domingo is burning\u201d and \u201cCHAPEO\u201d. Her work is linked to transfeminist and decolonial imaginaries. <\/span><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/NaniMedBu\"><span id=\"E57\" class=\"qowt-font2-Roboto\"><strong>NaniCurvy Maracumango:<\/strong><\/span><\/a><span class=\"qowt-font2-Roboto\"> (@<\/span>nanicurvy)<span id=\"E58\" class=\"qowt-font2-Roboto\"> Afro artivist, healer, Afro-Peruvian curvymodel, raises her voice from her Ancestry and life experiences Breaking the silence and the canons established from the patriarchal and cultural hegemony. <\/span><span id=\"E60\" class=\"qowt-font2-Roboto\">I decide to be my own voice, body, movement, love, actions, militancy, non-binary motherhood, and music. reconnected from spirituality, nature, art, and blacklovepower.<\/span><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/MAS-Conversaciones-para-MAS-Orgullo-_-Reflexiones-para-la-descolonizacion-marik-afro-diasporica.-Visiones-desde-las-disidencias-1-4.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;4534&#8243; img_size=&#8221;1920&#215;1080&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=8HSYz0me4ns&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Territories of Freedom \u2013 Testimonials from the Afro Diaspora. Serie 4-2021&#8243; color=&#8221;orange&#8221; style=&#8221;dashed&#8221;][vc_row_inner][vc_column_inner][vc_column_text]<b>Second Series Territories of Freedom: Testimonies from the Afro Diaspora: <\/b><span style=\"font-weight: 400;\">Fall 20221(October, November, December). Estas conversaciones que tuvieron el financiamiento y el apoyo t\u00e9cnico de <a href=\"https:\/\/peopleshub.org\/\">PeoplesHub.<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 3. <\/strong><a href=\"https:\/\/movimientoafrolatino.org\/2021\/12\/08\/territorios-de-libertad-testimonios-de-la-diaspora-afro-conversacion-3\/\">Traditional festivals as Territories of freedom<\/a><\/h4>\n<h6>Saturday, December 11, 2021<\/h6>\n<p>Panelists:<\/p>\n<p><strong>Gemaly Padua Uscanga<\/strong>, traditional musician, Fandango Dancer, an Afro-descendant who will share with us where she is in her process of re-deconstruction and self-recognition and the work she does with the ALPEKEE collective.. Also shared with us about the tradition of the Fandango and the power of the Fiestas as a form of sociopolitical organization, as a space to meet with others and with herself.<\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/MAS-Conversacion-para-MAS-Orgullo-_-Territorios-de-Libertad-3.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;2412&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/Da5R1yUP3dw&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=&#8221;.vc_custom_1667362627440{background-color: rgba(244,244,244,0.39) !important;*background-color: rgb(244,244,244) !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 2.<\/strong> <a href=\"https:\/\/movimientoafrolatino.org\/2021\/11\/09\/territorios-de-libertad-testimonios-de-la-diaspora-afro-conversacion-2\/\">Curiepe in Venezuela and the Palenque de San Basilio in Colombia, two communities that achieved their freedom using different strategies<\/a><span style=\"font-weight: 400;\">.<\/span> <\/h4>\n<h6>Saturday, November 16, 2021<\/h6>\n<h4><span style=\"font-weight: 400;\">Panelists: <strong><a href=\"https:\/\/movimientoafrolatino.org\/team\/meyby-ugueto-ponce\/\">Meyby Ugueto-Ponce<\/a><\/strong>Afro-Venezuelan, Caraque\u00f1a, descendant of two free black villages: La Sabana and Curiepe, and<strong><a href=\"https:\/\/movimientoafrolatino.org\/team\/rayza-de-la-hoz-perez\/\"> Rayza de La Hoz<\/a><\/strong>Afroguajira, promoter of Afro aesthetics and the empowerment of Afro-descendant women, along with two special guests <strong>Keila Miranda:<\/strong> Granddaughter of Palenqueros and Palenqueras, heiress of the territory and language of San Basilio de Palenque. Female voice of the Kombilesa Mi group. And Zaida del Carmen Ponce, from Caracas, descendant of Curiepera.<\/span><\/h4>\n[\/vc_column_text][vc_single_image image=&#8221;2299&#8243; img_size=&#8221;1920&#215;1080&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/OeM9yQ4xYX8&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>dialogue 1. <\/strong><a href=\"https:\/\/movimientoafrolatino.org\/2021\/10\/09\/territorios-de-libertad-testimonios-de-la-diaspora-afro-conversacion-1\/\">Afro women and de-racializing processes, Afro-Indigenous alliances. The Spiritual world<\/a> <a href=\"https:\/\/movimientoafrolatino.org\/2021\/10\/09\/territorios-de-libertad-testimonios-de-la-diaspora-afro-conversacion-1\/\">and<\/a><a href=\"https:\/\/movimientoafrolatino.org\/2021\/10\/09\/territorios-de-libertad-testimonios-de-la-diaspora-afro-conversacion-1\/\">Afro Artivism.<\/a><\/h4>\n<p><span style=\"font-size: medium;\">Saturday, October 16, 2021<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Panelists<\/span><span style=\"font-weight: 400;\">:<\/span> <span style=\"font-weight: 400;\"><strong><a href=\"https:\/\/movimientoafrolatino.org\/team\/evelyne-laurent-perrault\/\">Evelyne Laurent-Perrault<\/a>,<\/strong> an Afro-Venezuelan\/Haitian historian of the Afro diaspora and <strong>Ana Gabriela Cano Ortiz<\/strong> (Black Mama) an Afro-Ecuadorian Hip Hop artist<\/span><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/Tercera-Serie-Trenzando-.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;2054&#8243; img_size=&#8221;1920&#215;1080&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/5sA2neu-Ug0&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;M\u00e1s afro aesthetic. Serie 3- 2021&#8243; color=&#8221;orange&#8221; style=&#8221;dashed&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 3. <\/strong>The arts as a path to restoration and liberation.<\/h4>\n<h6>Saturday, June 12, 2021<\/h6>\n<p>Panelists: <strong><a href=\"https:\/\/movimientoafrolatino.org\/team\/minoty-torres\/\"><i>Minox &#8211; Minoty<\/i><\/a><\/strong><span style=\"font-weight: 400;\"> Afrovenezuelan &#8211; dancer and graphic designer \/ <\/span><i><span style=\"font-weight: 400;\"><strong>Julian Diaz<\/strong> \/ DIOKAJU<\/span><\/i><span style=\"font-weight: 400;\">Afrocolombian &#8211; contemporary dancer \/ <strong>Black Mama<\/strong> &#8211; Afroecuadorian &#8211; hip hop \/<\/span> <strong><i>Mar\u00eda Guill\u00e9n<\/i><\/strong><span style=\"font-weight: 400;\">\/Poes\u00eda Mariarte &#8211; afromexican &#8211; plastic arts \/<\/span><strong><a href=\"https:\/\/movimientoafrolatino.org\/team\/meyby-ugueto-ponce\/\"><i> Meyby Ugueto Ponce<\/i><\/a><\/strong><span style=\"font-weight: 400;\"> &#8211; Afrovenezuelan traditional dancer and anthropologist \/<\/span><strong><i> Iki Yos Pe\u00f1a<\/i><\/strong><span style=\"font-weight: 400;\">Afrovenezuelan artist<\/span><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/Las-artes-como-camino-a-la-restauracion-y-liberacion.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;5273&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/ZxefDI9EcbI&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=&#8221;.vc_custom_1667362627440{background-color: rgba(244,244,244,0.39) !important;*background-color: rgb(244,244,244) !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 2<\/strong>. Aesthetics, body, and housework<span style=\"font-weight: 400;\">.<\/span> <\/h4>\n<h6>Saturday, April 24, 2021<\/h6>\n<h4><span style=\"font-weight: 400;\">Panelists: <\/span><strong>Ingrid Gamboa y Gilda Blanco<\/strong><\/h4>\n<p>Download the presentation  <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/Estetica-cuerpo-y-el-trabajo-del-hogar.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;5267&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/rZFJdl_0vjY&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 1.<\/strong> <span style=\"color: #333399;\"><a style=\"color: #333399;\" href=\"https:\/\/movimientoafrolatino.org\/2021\/03\/06\/estetica-afro-trenzando-identidad-sabiduria-y-resistencia-1\/\">Braiding identity, wisdom, and resistance<\/a>.<\/span> <\/h4>\n<p><span style=\"font-size: medium;\">Saturday, March 16, 2021<\/span><\/p>\n<h4><span style=\"font-weight: 400;\">Panelists:<\/span> <strong><a href=\"https:\/\/movimientoafrolatino.org\/team\/rayza-de-la-hoz-perez\/\">Rayza De La Hoz an<\/a>d<\/strong> <strong><a href=\"https:\/\/movimientoafrolatino.org\/team\/meyby-ugueto-ponce\/\">Meyby Ugueto-Ponce<\/a><\/strong> <\/h4>\n<p>Download the presentation  <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/Tercera-Serie-Trenzando-.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;1955&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/bTmW0EDVTgM&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row el_id=&#8221;serie2&#8243;][vc_column][vc_text_separator title=&#8221;Dismantling miscegenation. Serie 2- 2020&#8243; color=&#8221;mulled_wine&#8221; style=&#8221;dashed&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>dialogue 1. <\/strong>Way back to Afro-descendants<\/h4>\n<p><strong>Dialogue 2. Dismantling miscegenation<\/strong><\/p>\n<h6><span style=\"font-size: medium;\">Saturday, November 28 and December 5 the 2020<\/span><\/h6>\n<p>Panelists: <strong><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/milvia-pacheco-salvatierra\/\">Milvia Pacheco,<\/a> <a href=\"https:\/\/www.facebook.com\/profile.php?id=100008422320904&amp;sk=about_life_events\">Gilda Blanco<\/a>, <a href=\"https:\/\/movimientoafrolatino.org\/team\/meyby-ugueto-ponce\/\">Meyby Ugueto<\/a> and <a href=\"https:\/\/movimientoafrolatino.org\/team\/sandra-huber\/\">Sandra Huber<\/a><\/strong><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/MAS-conversacion-para-MAS-orgullos-_-Segunda-serie-desmantelando-mestizaje.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;5257&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/pDlR_lJwMQY?si=WIEIQBtMYOwebji9&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/RryEzHA8W2g?si=Kxqks9zYLCZU_yiX&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Serie 1- 2020&#8243; color=&#8221;mulled_wine&#8221; style=&#8221;dashed&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 5.<\/strong> <span style=\"font-size: medium;\">Afro-descendants facing three threats of yesterday and today: discrimination, COVID-19 and climate change <\/span><\/h4>\n<h6><strong>Saturday, August 15, 2020<\/strong><\/h6>\n<p>Panelists:<strong>  Ingrid Gamboa, Luis Rocca, Sandra Huber and Rosa Colchado<\/strong>[\/vc_column_text][vc_single_image image=&#8221;1819&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=&#8221;.vc_custom_1667362613665{background-color: rgba(244,244,244,0.39) !important;*background-color: rgb(244,244,244) !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 4. <\/strong><span style=\"font-size: medium;\">Absolutely Black:<\/span><b> <\/b><span style=\"font-size: medium;\">Celebrating the lives and struggles of black women.<\/span>.<\/h4>\n<h6><strong>Saturday 1st the August, 2020<\/strong><\/h6>\n<p>Panelists: <strong><span style=\"font-size: medium;\"><a href=\"https:\/\/movimientoafrolatino.org\/team\/meyby-ugueto-ponce\/\">Meyby Ugueto<\/a> and Gilda Blanco<\/span><\/strong><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/Conversacion-4.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;1900&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]listen to the conversation<\/p>\n<p>&nbsp;<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 3. <\/strong>Afro-indigenous: Voices of encounter and struggle<\/h4>\n<h6>Saturday, Juli 18, 2020<\/h6>\n<p>Panelists: <strong>Iris Viveros and <a href=\"https:\/\/movimientoafrolatino.org\/team\/wilbor-guerrero\/\">Wilbor Guerrero<\/a><\/strong><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/MAS-conversacion-para-MAS-orgullos_-converscion-3.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;1763&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/hSxck8_ah_g&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=&#8221;.vc_custom_1667362627440{background-color: rgba(244,244,244,0.39) !important;*background-color: rgb(244,244,244) !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]\n<h4><strong>Dialogue 2. <\/strong>\u201cBlack Lives Matter and the importance of making blacks visi<strong>ble\u201d<\/strong><\/h4>\n<h6>Saturday, Juli 4, 2020<\/h6>\n<p>Panelists: <strong><a href=\"https:\/\/movimientoafrolatino.org\/team\/monica-rojas-stewart\/\">Monica Rojas<\/a> and Iliana Rodriguez Silva<\/strong><\/p>\n<p>Related Article: (Meyby Ugueto y Franklin Perozo) <a href=\"https:\/\/movimientoafrolatino.org\/2020\/12\/10\/el-espejo-sin-vidrio-conversaciones-sobre-mestizaje-latinidad-y-racismo-un-encuentro-con-mas\/\">\u201cThe Mirror Without Glass\u201d: Conversations about mestizaje, latinidad, and racism. An encounter with M\u00c1S<\/a>[\/vc_column_text][vc_single_image image=&#8221;5238&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/70YXUanHPyI&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<strong>dialogue 1. <\/strong>Anti-blackness in our communities<\/p>\n<h6><span style=\"font-size: medium;\">Saturday, June 20, 2020<\/span><\/h6>\n<p>Panelists: <strong><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/milvia-pacheco-salvatierra\/\">Milvia Pacheco<\/a> and <a href=\"https:\/\/www.facebook.com\/profile.php?id=100008422320904&amp;sk=about_life_events\">Gilda Blanco<\/a><\/strong><\/p>\n<p>Download the presentation <a href=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/Anti-negritud-en-nuestras-comunidades.pdf\">here<\/a>[\/vc_column_text][vc_single_image image=&#8221;5234&#8243; img_size=&#8221;1000&#215;1000&#8243; alignment=&#8221;center&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/xg6NdrUQBto?si=NSSep3wdJYJ2KoF-&#8220;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_section el_id=&#8221;Team&#8221;][vc_row][vc_column][vc_single_image image=&#8221;2878&#8243; img_size=&#8221;1920&#215;500&#8243; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row section_id=&#8221;Team-orgullo&#8221;][vc_column][vc_custom_heading text=&#8221;organizing committee&#8221;]<div class=\"shortcode-wrapper shortcode-team-member-box \"><div class=\"row\"><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2023\/11\/Gemaly-350x350.jpeg\" alt=\"Gemaly Padua Uscanga\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/gemaly-padua-uscanga\/\">Gemaly Padua Uscanga<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">traditional musician, Fandango Dancer, an Afro-descendant who will share with us where she is in her process of re-deconstruction and&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/gemaly-padua-uscanga\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2019\/06\/black-mama-feature-350x350.jpg\" alt=\"Black Mama &#8211; Gabriela Cano\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/black-mama-gabriela-cano\/\">Black Mama &#8211; Gabriela Cano<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">Rapper Esmeralde\u00f1a (Ecuador), her story of resistance comes from realizing the need to raise her voice in a context in&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/black-mama-gabriela-cano\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2023\/03\/anyel-350x350.jpg\" alt=\"Anyel Adanna Duran\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/anyel-adanna-duran\/\">Anyel Adanna Duran<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">Transgender woman from the Colombian Magdalena Medio. Defender of the human rights of sexual and gender dissidents. President of the&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/anyel-adanna-duran\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><\/div><div class=\"row\"><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2023\/03\/image_50446337-350x350.jpg\" alt=\"Teresita J. Baz\u00e1n Beltr\u00e1n\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/teresita-j-bazan-beltran\/\">Teresita J. Baz\u00e1n Beltr\u00e1n<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">Born to a Oaxacan Mixtec family in Mexico City, known in those times as the D.F. In 2004, a few&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/teresita-j-bazan-beltran\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/WhatsApp-Image-2022-11-10-at-9.30.49-PM-350x350.jpeg\" alt=\"Hayde\u00e9 Lavariega\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/haydee-lavariega\/\">Hayde\u00e9 Lavariega<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">Hayde\u00e9 Lavariega is a Bene Xhon Zapotec Indigenous nonbinary organizer and educator from Oaxaca, Mexico. They ground their practice in&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/haydee-lavariega\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/WhatsApp-Image-2022-11-01-at-4.47.51-PM-350x350.jpeg\" alt=\"Meyby Ugueto-Ponce\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/meyby-ugueto-ponce\/\">Meyby Ugueto-Ponce<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">Afro-Venezuelan, Caracas, descendant of free black towns: Curiepe and La Sabana. Researcher and activist of the African diaspora. Interpreter, teacher&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/meyby-ugueto-ponce\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><\/div><div class=\"row\"><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/11\/rayzadelahoz_248390703_908688826721054_9058360506385458433_n-350x350.jpg\" alt=\"Rayza De La Hoz P\u00e9rez\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/rayza-de-la-hoz-perez\/\">Rayza De La Hoz P\u00e9rez<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">Afroguajira is a Professional in Management with a mention in Marketing from Rafael Belloso Chac\u00edn University. Rafael Belloso Chac\u00edn. Passionate&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/rayza-de-la-hoz-perez\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/06\/Minox-350x350.jpeg\" alt=\"Minoty Torres\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/minoty-torres\/\">Minoty Torres<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"team-position\">Graphic designer and social media coordinator<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">Afrovenezuelan based in M\u00e9xico, Digital arts (Graphic design, art direction and photography), corporal and musical integral artist. Colaborate with M\u00c1S&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/minoty-torres\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2022\/03\/Evelyne-350x350.jpeg\" alt=\"Evelyne Laurent-Perrault\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/evelyne-laurent-perrault\/\">Evelyne Laurent-Perrault<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">I am a historian of the African Diaspora in Colonial Latin America and the Caribbean. My research looks into the&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/evelyne-laurent-perrault\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><\/div><div class=\"row\"><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2020\/05\/Milvia-Pacheco-feature-350x350.jpg\" alt=\"Milvia Berenice Pacheco Salvatierra\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/milvia-berenice-pacheco-salvatierra\/\">Milvia Berenice Pacheco Salvatierra<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"team-position\">Executive Director<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">I am an Afro-Latina artist born in Caracas-Venezuela, where I began my career as a dancer combining dance and theater&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/milvia-berenice-pacheco-salvatierra\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><div class=\"col-4\">\n\t\t<div class=\"team-member-box\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-img\">\n\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/movimientoafrolatino.org\/wp-content\/uploads\/2020\/05\/delia-pinto-santini-feature-350x350.jpg\" alt=\"Delia Pinto-Santini\"\/>\n\t\t\t\t\t\t\t\t\t\t<ul class=\"social-icons dark\">\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div><!-- END .team-member-img -->\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t<div class=\"team-member-description\">\n\n\t\t\t\t<div class=\"team-header-info clearfix\">\n\n\t\t\t\t\t<div class=\"team-name\">\n\t\t\t\t\t\t<h4 class=\"team-member-name\"><a href=\"https:\/\/movimientoafrolatino.org\/en\/team\/delia-pinto-santini\/\">Delia Pinto-Santini<\/a><\/h4>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"team-position\">Supporting Board member<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- END .team-name -->\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div><!-- END .team-header-info -->\n\n\t\t\t\t\n\t\t\t\t\t<div class=\"spacer\" style=\"height:10px;\"><\/div>\n\t\t\t\t\t<div class=\"team-member-content\">\n\t\t\t\t\t\t<div class=\"spacer\" style=\"height:15px;\"><\/div><p class=\"nbm\">Delia Pinto-Santini is a Venezuelan of mixed heritage. She has lived in Seattle for the past 20 years and understands&hellip;<\/p>\t\t\t\t\t<\/div><!-- END .team-member-content -->\n\t\t\t\t\n\t\t\t\t<a class=\"simple-read-more\" href=\"https:\/\/movimientoafrolatino.org\/en\/team\/delia-pinto-santini\/\" target=\"_self\">View Profile<\/a>\n\t\t\t<\/div><!-- END .team-member-description -->\t\n\n\t\t<\/div><!-- END .team-member-box -->\n\n\t\t<\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1640742716114{background-color: #fcfcfc !important;}&#8221;][vc_column][vc_row_inner][vc_column_inner][vc_separator][vc_single_image image=&#8221;8202&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;] We are now M\u00c1S podcast. We have designed for you, a space where the voices of the Afro and indigenous diaspora resonate louder, echo in your identity. A place where what we started in &#8220;MAS Conversations&#8221; uses the power of orality, music and soundscapes, to [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"parent":3693,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-5228","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/pages\/5228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/comments?post=5228"}],"version-history":[{"count":6,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/pages\/5228\/revisions"}],"predecessor-version":[{"id":9596,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/pages\/5228\/revisions\/9596"}],"up":[{"embeddable":true,"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/pages\/3693"}],"wp:attachment":[{"href":"https:\/\/movimientoafrolatino.org\/en\/wp-json\/wp\/v2\/media?parent=5228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}